Some articles can be accessed on the web. You will see the links.

See the Links page for publishers' websites.

 

ARTICLES ON LANGUAGE, POETICS AND READING

~ 'Writing and Not Writing', in Poets on Writing, Britain 1970-1991, ed Denise Riley (Basingstoke: Macmillan, 1991) pp. 41-49

~ 'Sentenced to' in Performance Research Vol 1, No 1 (Spring 1996) pp. 98-102

~ 'Performed through', in Performance Research Vol 2, No 1, (Spring 1997) pp. 68-72)

~ 'Missing persons: personal pronouns in performance writing', in Performance Research Vol 3, No 1 (Spring 1998) pp. 87-90)

~ 'Eluded Readings: trying to tell stories about reading some recent poems', in The Gig 15 (September 2003) pp.35-54

~ 'Falling towards each other: occasions of elegy', in The Paper, Issue 5 (October 2002) pp. 36-46; republished in Necessary Steps: poetry, elegy, walking, spirit ed David Kennedy (Exeter: Shearsman, 2007) , pp. 37-48.

~ 'Time-play-space: playing up the visual in writing', in Pores Issue 3: An Avant-gardist Journal of Poetics Research (March 2004)

~ 'Reading (Illegible) Pages', in 'On the Page' issue of Performance Research Journal, Vol 9, No 2 (June 2004), pp. 15-23

~ 'Reading a Polished Page', in 'On the Page' issue of Performance Research Journal, Vol 9, No 2, p.92 (June 2004) and in Performance Research / Liquid Press DVD supplement to this issue

~ 'As a', a contribution after the event to a Forum on Women Writers, in Readings 2 (eds Piers Hugill, Aodhán McCardle, & Stephen Mooney), 2005

~ 'Performance Writing'; entry in the A Lexicon issue of Performance Research Vol 11, No 3, (September 2006), pp. 89-91.

 

CRITICAL AND CELEBRATORY READINGS

~ 'These lines are to remember John Riley', in For John Riley (Wirksworth and Leeds: Grosseteste, 1979) pp. 70-75

~ Two articles on Peter Riley: 'On Lines on the Liver and Tracks and Mineshafts and two essays' and 'Before you fall', in The Poetry of Peter Riley (ed Nate Dorward), The Gig 4/5 (2000), pp. 35-46

~'John Riley, poet', in Tears in the Fence No 20 (Spring 1998) pp. 62-68

~ 'Some things I wanted to say about Doug', in A meeting for Douglas Oliver (ed. Wendy Mulford and Peter Riley, Cambridge et al: infernal methods, Street Editions and Poetical Histories, 2002) pp. 10-13

~ 'Ventriloquising Against Harm', an extended review of Douglas Oliver's Whisper 'Louise' , in Jacket 30, October 2006 (from March 2006).

~ 'Terms of Engagement in F.T.Prince', in PNReview Vol 29, No 1 (2002) pp. 36-38

~ 'Dress and Address: "John James" in John James', in Salt Companion to John James (ed. Simon Perril, forthcoming from Great Wilbraham: Salt Publishing, 2006)

~ 'Karen Mac Cormack's Implexures: an implicated reading', in an as yet untitled forthcoming publication on 'experimental Canadian women poets', (ed. Nate Dorward),Willowdale, Canada: The Gig, 2006)

~ 'Punishment Routines' in For J.H. Prynne: In Celebration 24th June 2006 published as Quid 17 (ed Keston Sutherland) Falmer, 2006 pp. 60-63

~ 'Reading J.H. Prynne’s ‘Acquisition of Love’ and anticipating ‘Blue Slides at Rest’, to be published on Readings 3 (eds Piers Hugill, Aodhán McCardle, & Stephen Mooney), 2008

~ 'Beginning to read Alice Notley's In the Pines', in Constellation: Alice Notley curated by Carol Wats and Edmund Hardy, Intercapillary/Space, 2008

 

ON INTERDISCIPLINARITY AND PEDAGOGY

~ 'Interdisciplinarity: disciplines and arts practice', in Proceedings of CONCEPTS Conference, Oporto, April 1995

~ 'Issues for discipline and context: designing a taught postgraduate programme in performance practices', in Conference Proceedings: Further and Continuing Education of performing artists in the Nordic Countries - a Nordic Task (Videre og affernddanneelse for scenekunstere I Nordern) Oslo: Norway, 12th - 14th November 1999, pp.77-85

~ Review of The Anxiety of Interdisciplinarity (ed Alex Coles and Alexia Defert), in Performance Research Vol 4, No 3 (Winter 1999), pp. 103 -106